Records on your Radar

What better way to welcome a Saturday afternoon than with a fresh reminder of what’s new on the musical horizon? Glamcult brings you 10 tracks you simply can’t miss. Singles or part of a larger project, these tracks dropped anytime across March –  from the ultimate love song by one of the industry’s favourite power producers James Blake, a new addictive anthem by the internet’s messy darlings Bassvictim, to a Memphis-clad track by Belgian trap machine Kleine Crack.

So get your speakers out, here is our list of unmissable releases.

Jim Legxacy – idk idk
Jim Legxacy cheekily drops “idk idk,” a track reminiscent of his “Black British Music (2025)” album universe, and it’s exactly what we needed. Describing Lexgacy’s production can easily be a tangle through his numerous influences, from 2010s afrobeat, indie folk routes, to alternative R&B. But as one Reddit user simply puts it: “His ear is so crazy how does he think of making beats that sound like this.” Yeah, we’re all wondering. The track has a dreaminess to it, where feeling like IDK has never sounded so certain. The accompanying music video appears indecisive too with visuals jumping from collage shots of himself with his dachshund, Bingo, wall mounted pictures, and film photos alternating between firework scenes. Yet, it’s pretty clear Jim Legxacy knows exactly.

Mietze Conte – allee
Vienna’s Mietze Conte drops album “wufwufwuf”, landing march 6 with twitchy, chaotic melodies. With the usual jumpy, high-pitched experimental hyperpop energy found in the producer’s projects, “allee” doesn’t fall short on Conte’s reputation. With Dracula-like synths opening the track, the sonics then veer off to trap kick patterns, and the mosquito buzz energy make it tempting to compare him to the late SOPHIE. Long known for a cryptic Instagram trail of funnily drawn animals (a.k.a. His album artwork by @sirenshores), Conte finally puts a face to the project, without losing the mystery.

James Blake – Days Go By
James Blake plays amongst the heavy hitters of the music industry with an extensive production portfolio (ranging from his own worldwide successes Retrograde, to being the backbone of Rosalia’s “Motomami” or Beyonce’s “Lemonade”), elite composition skills, and, last but not least, his exquisite baritone range vocals. Basically, he kind of carries a huge chunk of the mid 2010s to today’s musical landscape. On March 13, Blake released “Trying Times,” an indulgent 13 track album. But today, we would like to highlight “Days Go By,” the project’s shameless-to-the-core love track – it literally begins with high pitched, looped “I love you”’s. Blake’s voice seamlessly intertwines with the higher tempo house-infused and break-beat production.

Witch Post – Witching Hour
“Witching Hour” is the yearning indie-rock track of Scottish-American duo Witch Post. Deep melodic vocals, ethereal guitar riffs clashed with bass-lines gathered to create spellbound melodies, worthy of the most soul-wrenching nostalgic movie-like soundtrack. The bonus you ask? The track is part of their latest EP, “Butterfly,” so there’s even more to indulge.

Eera – Down Again
Surf Gang co-founder Eera makes music for the ones who can’t disassociate emotion with energy. His production style has a distinctly stylish emo-ness to it that transports you to your utmost inner feelings, head-bobbing and all. Nostalgia is just one sentiment that comes to mind when listening to his freshly dropped single, “Down Again.” Distant guitar riffs lay the foundation, with breathy synths joining in, then complemented by the usual Eera explosive drum pattern switch. Adding an extra layer to this beautiful harrowing: looped gritty and airy vocals.

Bassvictim – Going Home
Following with another acclaimed March 6 album release, Bassvictim surprise-dropped their fourth studio album fittingly mysteriously titled “?” The London-based electro-punk-cum-indie-pop duo (who describe their genre as basspunk), bring more than strong material once again. Although, already highly praised and obsessively listened to by the internet for the past month, mid-album track “Going Home” deserves a bit of its spotlight moment. In true manifestation anthem-style, Maria’s voice chants “Money on my mind, money flowing” whilst walking “When I want, when I walk when I have to.” Iteration can be just as simple: money flows and when you decide to go home, you walk decisively back.

Alabaster DePlume
London-based, Manchester-original jazz saxophonist, poet and activist Alabaster DePlume returns with “Bringing Up The Nakba”, the latest from his upcoming EP. Patient, looping sax lines swell into flickering bursts over a slow, marching bass and drums. Samples of children playing and everyday life in the West Bank frame a mournful meditation on the 1948 Nakba and ongoing oppression. Revered for both his honesty and his otherworldly sax melodies, DePlume builds intensity that feels ancient yet unmistakably contemporary. Adventurous and politically engaged, the record—with its cover featuring a drawing by a 13-year-old Palestinian boy wheatpasted across walls—is an urgent call to witness, remember, and speak up.

Alba Akvama – Sun Comes Down
New on the Scandi-CPH scene: emerging composer and songwriter Alba Akvama. After opening shows for Mark William Lewis and Joanne Robertson, Akvama has very freshly released her debut EP, “Minute Nothing.” With a folk sensitivity and jazz-tinged sonics, the Copenhagen-based artist brings a sort of atemporal intimacy to her work. In the opening track of the EP, “Sun Comes Down,” her breathy, mesmerising vocals got us all hooked and eager for more.

Kleine Crack – TIS GEDAAN
Raspy voice, long-held whispers, haunting synths and heavy trap basslines make up Kleine Crack and long-term producer-collaborator Slagter’s latest EP ‘CRACK SLAGTER VOL.15.’ Released on Friday the 13th (he loves all things horror – even named his daughter ‘zes’ (six, as in, 666)). On ‘TIS GEDAAN’ (“It’s done”), the Antwerp-based rapper delivers his gritty bars on Slagter’s Memphis-infused beats. After a successful rave for toddlers, we’re glad to see he’s back for the adults. It’s done. They’re simply a winning team – don’t change it.

Kat Duma – Lullaby
Toronto-based artist, Kat Duma gravitates between the ethereality of pop, the ephemerality of experimental, and the dubbing rhythm of electronics. In “Lullaby,” Duma eerily comes and goes between day and night, mythical yet appearing so palpable. Suspension between memory and dream keeps the track in an intimate space – one where peaking seems like diving into one’s inner world.