There’s a certain gravitational pull to Sijya’s world – thick, rusted, and hauntingly delicate. A New Delhi-based composer, producer and graphic designer navigating the porous boundaries between sound and sentiment, she approaches music not as a polished product, but as a bruised, breathing process. 
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How would you describe music without using sound? Australian-born, London-based DJ and producer HAAi arrives at a tenderhearted answer, not with words, but through the Ableton push pads.
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Debra Samuels, domme, grandmother, foot-fetish archivist, and late-life migrant, reminds us that liberation doesn’t necessarily need a flag or a parade.
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As suave as ever, Johnny Venus has us fully enthralled in his sensuality. His latest single, “So Beautiful” featuring 6LACK, feels like a collision of dark chocolate, cherries, fused by the gooey richness of honey. If these gustatory experiences were to be translated into a melody, they would amount to a 3-and-a-half-minute track that would wreck any streaming playback button.
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Simo Cell, French DJ and producer, has touched dancefloors worldwide – the phrase “Yes, DJ,” has bounced off the walls of international clubs, warehouses, and illegal raves. An artist with a sound that defies categorization, he bends electronic music to tell stories that resonate with him, and subsequently move his audiences. His latest release, EP titled, is not just about Simo – we are introduced to FL Louis itself, a life-like puppet that graces the cover of the EP and is embedded in its fast, flanging sonic waves that disrupt convention. It was an honour to catch Simo and dive into his artistic journey, French touch, his EP, and the uncanny puppet that animates it. Join us in the pleasure of watching an artist explore the malleable borders of electronic sound with ease.
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"I wanted to show with the work, all the things that I haven't said – all my gratitude and all my love"
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The population of Daddy Town is ever-increasing since the release of “DADDY” by Victoria and Ashnikko. Set on awakening the daddy lying dormant in the feminine psyche with her production, Victoria’s development as a solo artist in the electronic music scene has been exciting, rapid, and intriguing. We had the chance to talk to Victoria about “DADDY,” her identity as an electronic music producer/DJ, Måneskin, and more.
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James Massiah joins the Zoom call on a bike, coffee in one hand, phone in the other. Fragments of London flash by, jagged, disjointed, buzzing in grey – reminding me of the texture of Massiah’s music. 
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